Friends of Bezalel

Haaretz, September 16, 2011

Knowledge is Power, By Yuval Saar
“A new exhibition at London’s Victoria and Albert Museum celebrates crafts that have been lost over the years. Israeli-born curator Daniel Charny says the future is in your hands…The son of Israeli poet T. Carmi, Charny was born in Jerusalem in 1966. He studied industrial design at the Bezalel Academy of Arts and Design there, and has a master’s degree in industrial design from London’s Royal College of Art, where he is now a senior lecturer.”
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Haaretz, September 16, 2011

I’ve got me under your skin, By Ellie Armon Azoulay
“In his most personal and revealing exhibition to date, Gal Wertman offers figures that create a shimmering twilight zone between the body and what’s outside it….’When I went to Bezalel, it was like the closing of a circle for me.’”
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Haaretz, September 8, 2011

Environment / The people want spatial justice,  By Esther Zandberg
“When the people demand social justice they are also demanding a revolutionary change in Israeli planning policy….A multidisciplinary think tank, headed by Dr. Emily Silverman of the Technion, is one of several teams formed as part of the alternative committee, and includes dozens of geographers, architects, urban planners, transportation experts, and legal experts, representatives of social justice and equal rights in planning organizations and others. The team discusses key issues that prompted the protest: lands, housing, planning, as well as transportation – a key area that has a far-reaching impact on equitable distribution of space and the division of resources.  Over the last few days, the team has been immersed in discussions over the Salameh document, drawn up by teachers, graduates and architecture students at the Bezalel Academy of Art and Design in Jerusalem, in conjunction with professionals in planning and architecture.”
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The Forward, August 8, 2011

Ghosts in the Living Room, By Rebecca Schischa
“There’s a dizzying feeling as you step into “Living Room,” Israeli artist Maya Zack’s art installation at New York’s Jewish Museum — not least because of the colored 3-D glasses you’re invited to put on at the entrance. “Living Room,” which opened at the museum July 31, is an audiovisual installation composed of four large-scale, computer-generated images showing a Jewish family’s apartment in 1930s Berlin. It is Zack’s reconstruction of the home of Manfred Nomburg, a German-born Jew who fled Nazi Germany for Israel in 1938, leaving behind his parents and a younger brother….The artist, born in 1976 and trained at the Bezalel Academy of Arts and Design, has said that the two pieces were inspired by a trip she took to see her grandmother’s childhood home in Kosice, a city in Slovakia. Unable to enter the house, Zack took to imagining the interior.”
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Ynet, August 7, 2011

Israeli, Polish youth connect through art
“Poland and Israel are historically and dramatically linked and modern day stories cannot escape this past.  Adina Bar-On, an Israeli performance artist, a lecturer in the Art Department at Bezalel Academy of Art and Design in Jerusalem and a frequent guest of cultural events in Poland, felt the need to reconnect the youth of both countries in order to confront the myths and bias that are associated with the two countries.”
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Haaretz, July 26, 2011

The future of Israeli design, now on display, By Yuval Saar
“What could possibly be done that is new at an exhibition of works of graduates of the Bezalel Academy of Art and Design visual communications department – especially after the successful exhibition curated last year by Yael Burstein in the same space?  On the surface there is nothing revolutionary about what the curator, designer Michal Sahar, did in breaking down the walls between the classrooms. Maybe it is even banal. But Sahar has created one of the most impressive exhibition spaces in the country, one not inferior in quality to museum spaces here and abroad.”
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The Jerusalem Post, July 22, 2011
Short animation goes a long way, By Inbal Aharoni
“The country’s leading arts school, the Bezalel Academy of Arts & Design Jerusalem, is known for nurturing talented students who forge successful careers both at home and abroad.  Now animation graduates from Bezalel’s Screen Based Arts Department bring the school a new round of awards and recognition, won at a number of notable film festivals worldwide.  Three of the most recent include the animated shorts On My Doorstep by Anat Costi; The Good Knight Story by Shoham Blau, Amos Naim and Or Kantor; and The Miracle Lady by Michal Abulafia and Moran Somer.”
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JTA, July 17, 2011

Jerusalem tries to get its cultural groove on, by Dina Kraft
“Opened last fall, [Yaffo 23] is run by the Bezalal Academy of Arts and Design, Israel’s premier art school. For the past two decades, the school has been located on a hill overlooking the city on Mount Scopus, but it has plans to build a new campus in downtown Jerusalem. The move is expected to infuse a major jolt of culture into the city.  “What will save the city is having Bezalel back downtown again,” said Alon Itzkin, a 27-year-old architecture student. “Already you see it with the architecture department, which has already been moved to the center of the city. Surrounding it the streets brim with students, and five new cafes have been opened nearby that are already packed.”
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Haaretz, June 24, 2011

On their toes, By Aviva Lori
“Over the past decade, and especially in the past five years, a new Israeli shoe industry has begun to take wing. Shoes are being produced from A to Z at the initiative of young designers, primarily women. They are graduates of the Bezalel School of Art and Design, and they come from the metal-smithing department, the fashion and accessory design department, various product design departments and the industrial design department.”
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Haaretz, June 20, 2011

Suburban socialism, By Shanee Shiloh
Architect Yuval Yaski, head of the architecture school at Bezalel Academy of Arts and Design, thinks the kibbutzim are making a mistake by adopting the suburban model. Kibbutzim are a hybrid beast, he says: they are rural in location, but urban in function. Kibbutzim were built as whole units in and of themselves, self-sufficient in everything from the food supply to education, culture, work and all other services.”
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